The American Monument

New York: The Eakins Press Foundation, 1976

FIRST EDITION, SIGNED BY FRIEDLANDER. Beautifully illustrated with reproductions of Friedlander's photographs of the monuments of America. Oblong folio, black-stamped green cloth with gilt detail, triple screw-post binding. A fine copy.

$3,000

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Pompeiana. Topography, Edifices and Ornaments of Pompeii, the results of excavations since 1819

First expanded edition. The one volume edition of 1817-19 was written by John P. Gandy and illustrated by Gell. Excavations continued throughout the 1820s. The 1832 edition was written by Gell himself and covers the recent excavations. “Pompeiana, published in 1817-19 brought the first comprehensive account of the excavations to English-speaking readers... Numerous editions issued over the next six decades influenced popular culture through a skillful illumination of fact with lively pictorial images. The first edition is a topographical tour covering major public and domestic structures... while the revised sequel of 1832.. presents the results of recent exploration, in the course of which a number of spectacular residences and baths were uncovered. Bringing to light noteworthy examples of mythological paintings, excavations carried out during the 1820s opened a window into the living quarters of Romans whose libraries and walls were replete with the texts and images of classical mythology.” –Claire L. Lyons and Marica Reed, Antiquity Recovered: The Legacy of Pompeii and Herculaneum Imperial octavo. Two volumes. (17x26.5cm) Contemporary silken green cloth with gilt labels to spine. Complete with 87 full page plates. With an additional 30 vignettes tipped on india. Untrimmed. Minor foxing to preliminaries; an excellent set in an attractive early binding.

$950

The Naked and the Dead

FIRST EDITION of Mailer's masterpiece, SIGNED AND INSCRIBED BY MAILER TO PAUL BARTEL: "To Paul, with the best / recollections of / how he came forward / with the best / advice for Chapter Five / Salutations / Norman Mailer / Feb '92." Written when Mailer was just twenty-five, The Naked and the Dead is one of the classic novels of World War II. Both a critical and commercial success (it remained at the top of The New York Times best-seller list for eleven weeks), it launched Mailer's career and remains one of the most influential American novels of the century. Paul Bartel was a writer, actor, and director best known for his 1982 film, Eating Raoul. Octavo, original cloth, original dust jacket; custom box. An outstanding, fine copy, extremely rare in such good condition.

$7,000

Rhetorica divina Guillermi Parisie[nsis]

THIRD EDITION of William of Auvergne's meditation on the subject of prayer. This work was first published in 1491 and again in 1492.Octavo. 152 printed leaves. Beautifully rebound in (early) printed leaf over boards with vellum manuscript leaves on paste-downs. Printers device on title and verso of final leaf; rubricated in red and blue. Small hole to margin of first few leaves; occasional light dampstaining to margins; a superb and quite desirable copy.

$3,750

Les Chiens ont Soif

LIMITED EDITION, WITH TWO SIGNED COLOR ETCHINGS BY MAX ERNST, and 25 additional color lithographs; one of only 250 copies (out of a total edition of 320). An evocative collaboration between the surrealist poet Prevert and the surrealist artist Ernst. The Livre d'Artiste in the Twentieth Century 46. Large folio, loose as issued in original lithographed paper wrappers; original buckram clamshell box. Fraying to box edges, some foxing to wrappers; interior and plates fine.

$2,500

Ondes et Mouvements [Waves and Motions]

FIRST EDITION IN ORIGINAL WRAPPERS of de Broglie’s presentation of his revolutionary theory of the wave-particle duality of matter. PMM 417.De Broglie’s work “served as the basis for developing the general theory nowadays known by the name of wave mechanics, a theory which has utterly transformed our knowledge of physical phenomena on the atomic scale.”Octavo, original printed wrappers; custom cloth box. Modest bookplate on inside front wrapper; tape repair to initial blank. Minor discoloration to wrapper edges; an excellent copy.

$2,500

The Philosophy of Andy Warhol (From A to B & Back Again)

FIRST EDITION, INITIALED BY WARHOL ON HALF-TITLE. New York: Harcourt Brace Jovanovich, 1975. Octavo, original cloth, original dust jacket. A fine copy in a very good dust jacket (slight blistering to jacket).

$500

Tropic of Capricorn

FIRST EDITION, FIRST PRINTING of Miller's fourth novel in the original wrappers. With the scarce errata slip tipped-in; 60 Francs on the spine and front flap. Moderate expert restoration at spine head and joints. Overall a very handsome copy.

$950

Roma Sotterranea or some Account of the Roman Catacomb especially of the Cemetery of San Callisto

First Edition. This work is based on De Rossi's celebrated Roma Sotterranea (1864-77). Octavo. Original blind stamped purple cloth with gilt decoration to front board and spine. Spine quite faded with minor wear at head and heal; Bookplate to front pastedown. Text clean and complete with folding atlas inserted in pocket at rear; 20 chromolithographs and numerous woodcut text illustrations. An attractive, solid copy.

$650

The Trembling of the Veil

SIGNED LIMITED FIRST EDITION of Yeats's autobiographical work; one of only 1000 copies signed by Yeats. "Looking back from 1922, [Yeats] titled his autobiographical account of the decade of the 1890s The Trembling of the Veil. He recalled that Mallarme has said that 'his epoch was troubled by the trembling of the veil of the Temple,' and that 'as those words were still true, during the years of my life described in this book,' he had named it accordingly" (The Cambridge Companion to W.B. Yeats).Octavo, original half parchment over light green boards; original dust jacket. Dust jacket spine with light wear at the spine (slightly affecting label) and minor toning. An excellent copy.

$1,500

Mexico City Blues

FIRST EDITION, with slip (with printed header "Mexico City Blues by Jack Kerouac") signed and inscribed by Kerouac laid-in: "To Robert Wilson / from / Jack Kerouac". Robert Wilson was an influential literary critic, publisher, bookseller, and champion of Beat Literature.The collection of poetry (or "choruses") was written over the span of three weeks, and the subjects vary widely, based on what Kerouac saw and heard as he was writing the volume. In fact, the only truly consistent element to the choruses is their style, their poetic sound, reflecting the stream of consciousness manner in which they were written and the attempt to reproduce jazz styles and rhythms. The poems, in spite of their vast array of content, overall described “Kerouac’s melancholy… his blues, his feeling down and out, lonely and alone in Mexico City" (Charters, Kerouac: A Biography).Octavo, original cloth, original dust jacket; custom half-morocco box. Book fine, dust jacket with a few smudges and a little wear to top of spine.

$4,000

Fotographie

FIRST EDITION. Small quarto. Original cloth, original dust jacket. A fine copy.

$750

On the Mechanical Performance of Logical Inference

FIRST EDITION of Jevons's explanation of his "logical piano"; a landmark in computer science.To the reader of the preceding paper it will be evident that mechanism is capable of replacing for the most part the action of thought required in the performance of logical deduction. Mental agency is required only in interpreting correctly the grammatical structure of the premises, and in gathering the purport of the reply... The machine is thus the embodiment of a true symbolic method or Calculus... Jevons invented a "logical piano" (so named because it resembled a small upright piano) that could perform, through a sequence of switches, various types of logical calculations. In doing so, he became "the first person to construct a machine with sufficient power to solve a complicated problem faster than the problem could be solved without the machine's aid" (Goldstine). "On the Mechanical Performance of Logical Inference," a paper Jevons read before the Royal Society on January 20, 1870, is his most detailed description of this early prototype of the modern computer. The logical piano now stands in the Museum of the History of Science in Oxford.In: Philosophical Transactions of the Royal Society of London for the year 1870, pp. 497-518, Vol. 160, Part II (the complete volume). London: Taylor and Francis, 1870. Quarto, modern half-calf over marbled boards, with the original wrappers bound-in. A fine copy.