La France de Profil

Self-Portrait

First edition, SIGNED and INSCRIBED by Man Ray: "for Arnold and Gus Newman affectionately Man Ray 1963". With an original line drawing by Man Ray and Newman's notations on front endpaper. An important association copy.

$10,000

Learning from Las Vegas

"A seminal statement in the history and theory of architecture... one of the defining texts of postmodernism" – Aaron Vinegar, I Am a Monument: On Learning from Las Vegas FIRST EDITION of this landmark work. "We should not emphasize the ironic richness of banality in today's artistic context at the expense of discussing its appropriateness and inevitability on a wider basis."Folio. Original gilt-lettered blue cloth, original glassine dust jacket. Book fine; original glassine jacket with chips at spine ends and base of upper wrapper. A very good copy. 

$1,100

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La Photographie n'est pas l'art

FIRST EDITION, SIGNED BY MAN RAY. A FINE COPY. "I paint what cannot be photographed, that which comes from the imagination or from dreams, or from an unconscious drive. I photograph the things that I do not wish to paint, the things which already have an existence." -Man RayOctavo, stamped blue wrappers, with the black die-cut outer wrapper. A fine copy, signed by Man Ray on the title page. A FINE COPY.

$12,000

Tulsa

FIRST HARDCOVER EDITION, SIGNED BY LARRY CLARK, fully illustrated with reproductions of Clark's raw photographs. "I was born in Tulsa, Oklahoma in 1943. When I was sixteen I started shooting amphetamine. I shot with my friends everyday for three years and then left town but I've gone back through the years. Once the needle goes in it never comes out."“The initial shock of Tulsa was that it was photographed from inside the story, and this changed everything.” –Andrew Roth, The Book of 101 PhotobooksClark's groundbreaking first book was originally issued as a paperback in 1971. Quarto, original cloth, original dust jacket. Fine condition.

$950

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The Paramount Book of Blues

First Edition. 16mo. Original Wrappers. 40p., 6.25x9.25 inches, 30 blues songs with musical transcriptions and lyrics, 6 photos of the artists with short biographical sketches. A fine copy in original stapled pictorial wraps.

$500

Photographs 1970-1990

FIRST EDITION, SIGNED BY ANNIE LEIBOVITZ."I hate the word 'celebrity.' I've always been more interested in what people do than who they are, and I hope that my photographs reflect that. I have the opportunity to work with people who are the best actors, and writers, and athletes, and dancers--a broad spectrum. I feel like I'm photographing people who matter, in one way or another. I'm photographing my time."–Annie Leibovitz, in an interview with Literal MagazineFolio, original photo-pictorial boards, original glassine. Minor tears at extremities of rear glassine wrapper. A lovely copy.

The American Monument

FIRST EDITION, SIGNED BY FRIEDLANDER. Beautifully illustrated with reproductions of Friedlander's photographs of the monuments of America. Oblong folio, black-stamped green cloth with gilt detail, triple screw-post binding. A fine copy. 

$3,000

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Geschichte der Kunst des Alterthums

FIRST EDITION. "With the publication of his masterpiece, the 'History of the Art of the Ancients', his fame had become widespread. This was indeed the first work in the German language to achieve universal acclaim. Winckelmann had drawn attention for the first time to the importance of Greek ideals for the modern world, and, with his unique acquaintance with the surviving examples of classical art, amplified by wide and specialized reading, his authority was unquestioned" (PMM). “Winckelmann’s History had a remarkable impact for a scholarly antiquarian publication. It presented a comprehensive synthesis of available knowledge about the visual artefacts of the ancient world... Four main sculptural traditions were discussed in detail – the ancient Egyptian, Etruscan, Greek and Roman. What particularly caught the imagination of Winckelmann’s contemporaries, however, and still assures the book a place among the classics of art history, is what Winckelmann himself envisaged as its core, the eloquent and hugely ambitious attempt to redefine the history and aesthetics of the ancient Greek tradition. –Alex Potts, Flesh and the Ideal: Winckelmann and the Origins of the History“[Winckelmann’s] magnum opus is in a class apart, for it completely revolutionized the study of art by treating it organically (Winckelmann was the first to do so) as part of the growth of the human race” –E.M. Butler Quarto. Beautifully bound in recent full sprinkled calf, elaborate gilt tooling to boards, elaborately gilt spine in 6 compartments. Title skillfully mounted, occasional toning and scattered foxing throughout. [With:] Anmerkungen ber die Geschichte der Kunst des Alterthums. Dresden: Waltherische Hof-Buchhandlung, 1764 and 1767. 2 works in 4 volumes bound in one. (The text of Anmerkungen ber die Geschichte der Kunst des Alterthums is quite toned, much more so than the primary volume.)

$4,500

Where Time Has Vanished

FIRST EDITION, INSCRIBED BY NARAHARA TO ALLEN PORTER, AN INFLUENTIAL EDITOR OF CAMERA MAGAZINE. Illustrated throughout with reproductions of Narahara's stunning photographs. "To Dear Allan Porter / Ikko / in Tokyo May 31 1975" Square folio, printed cloth-backed boards; matching slipcase. Some loss of gilt lettering to spine; light spotting on rear cover. Clean throughout. A superb assocation. 

$2,500