Osservazioni sopra alcuni frammenti di vasi antichi di vetro ornati di figure trovati ne' cimiteri di Roma

FIRST EDITION.

“[Buonarroti’s] combination of genuine (or perhaps contrived) religious devotion and true sensitivity to beauty that led him to make his remarkably original appraisal of early Christian art. Stimulated perhaps by what he himself had written nearly years before about the greater veneration likely to have been felt for the crudely carved gods of ancient Egypt than for the much more refined representations which could certainly have been made by later artists, he now carried this line of thought much further... by claiming that the lack of grace and design led to a certain reverential fear and majesty which were well suited to religious art... Buonarroti’s claims for the edifying value of clumsy artefacts produced by unskilled amateurs (claims backed up – to his own satisfaction and to that of his contemporaries – by specific examples carefully reproduced) do open a new chapter in the historian’s understanding of art. From now on it became increasingly accepted that weakness itself could be the best guarantee of purity and devotion.” –Francis Haskell, History and its Images: Art and the Interpretation of the past.

Folio. Contemporary vellum; 35 engraved plates, (3 folding, xxxi numbered and 1 unnumbered), woodcut text illustrations. Skillful repair at head of spine extending into front board; moderate wear to binding extremities. Occasional spotting, generally clean throughout. A very attractive copy.