Signed & Inscribed

FIRST EDITION of Sander’s classic, one of the most influential photobooks of the early twentieth-century. SIGNED AND INSCRIBED BY SANDER.August Sander “was part of a coterie of photographers who established the photographic book as an aesthetically and commercially viable art form in the 1920s. Though Sander had published one such book in 1924, Unsere Heimat, Hannover, it was the 1929 publication of Antlitz der Zeit (The Face of Our Time) that propelled him into enduring fame” (Warren, Encyclopedia of Twentieth-Century Photography). “Many of his classic images are included in this seminal photobook, and the essential qualities of Sander’s vision can be seen. He took typical examples of professions, trades and social classes in Weimar Germany, and photographed them in their familiar environments in order to build up, piece by piece, a dispassionate image of the ‘face’ of society… One of his work’s miracles is how, despite his nominal objectivity, his political view shines through… His work is not neutral. It is not just penetrating, but was seen as positively dangerous, a little too acute in its analysis of society and class, by those with certain vested interests. This is made clear by the fact that when the Nazis came to power in Germany in 1933, publisher’s copies of Antlitz der Zeit were seized, the plates destroyed, and the negatives confiscated by Hitler’s Ministry of Culture” (The Photobook, I.124). Roth 52. Quarto. Original yellow cloth, original dust jacket. Signed and inscribed by Sander. Scarce original dust jacket with small chips at spine ends and extremities, and significant tears with loss at bottom portion of spine and front cover and at top of dust jacket rear (1"x4"). 

FIRST EDITION, AN IMPORTANT ASSOCIATION COPY INSCRIBED BY NABOKOV TO MORRIS BISHOP, one of Nabokov's closest friends and mentors: "To THE [drawing of two chess bishops] / FROM THE author of S. [drawing of a chess knight] / Sept. 1948 / Cornell". With Morris Bishop's bookplate on front pastedown. Morris Bishop was a prolific author, poet, and literary scholar, who had a lifelong affiliation with Cornell. "Among Professor Bishop's other distinctions was his perception of the literary talent of Vladimir Nabokov whom he brought to Cornell in 1948 as a teacher at a time when the Russian-born novelist was just making his mark in this country. Mr. Nabokov considered Professor Bishop as one of his closest friends in the United States and as a sort of spiritual father. They shared a fondness for exactitude in language and for japery as well as a common commitment to literature" (New York Times, Nov 22, 1973). "Bend Sinister, the first novel Nabokov wrote after coming to America, can be seen as his most direct fictional response to both the new Russian government and the new Soviet realism. The most self-consciously artificial of his novels in English, Bend Sinister is an indictment of the common impulse Nabokov saw behind both political totalitarianism and the misguided tendency of writers or readers to inflict 'general ideas' on works of art." (Lucy Maddox, Nabokov's Novels in English). Octavo, original cloth, original dust jacket; custom cloth box. Book fine, dust jacket with crease in center and "VOLGA" written neatly in pencil alongside the bolt of lightning on front panel.

FIRST EDITION, one of only 100 copies, SIGNED AND INSCRIBED BY GINSBERG. Signed and inscribed on title: "for Michael Rumaker / Allen Ginsberg / this historic particular copy of Howl which his eyes read for / Black Mt Review #7 / Signed White Plains N.Y. / March 12, 1976". Ginsberg also added 20 "ah"'s along the bottom of the page. With large flower and sun drawing by Ginsberg across title. Rumaker's ownership signature at top of page. WITH: The original issue of The Black Mountain Review #7 in which Rumaker's review of "Howl" appears. "In October 1955 Ginsberg read the first part of his new poem ['Howl'] in public for the first time to tumultuous applause at the Six Gallery reading in San Francisco with the local poets Kenneth Rexroth, Gary Snyder, Michael McClure, Philip Whalen, and Philip LaMantia. Journalists were quick to herald the reading as a landmark event in American poetry, the birth of what they labeled the San Francisco Poetry Renaissance. Lawrence Ferlinghetti, who ran the City Lights Book Store and the City Lights publishing house in North Beach, sent Ginsberg a telegram echoing Ralph Waldo Emerson's response to Walt Whitman's Leaves of Grass: 'I greet you at the beginning of a great career. When do I get the manuscript?' Later Ginsberg wrote that 'in publishing 'Howl,' I was curious to leave behind after my generation an emotional time bomb that would continue exploding in U.S. consciousness in case our military-industrial-nationalist complex solidified into a repressive police bureaucracy' (Original Draft Facsimile Howl, p. xii). "Early in the following year Howl and Other Poems was published with an introduction by William Carlos Williams as number four in the City Lights Pocket Poets Series. In May 1956 copies of the small black-and-white stapled paperback were seized by the San Francisco police, who arrested Ferlinghetti and Shigeyoshi Murao, his shop manager, and charged them with publishing and selling an obscene and indecent book. The American Civil Liberties Union took up the defense of Ginsberg's poem in a highly publicized obscenity trial in San Francisco, which concluded in October 1957 when Judge Clayton Horn ruled that Howl had redeeming social value" (American National Biography). Introduction by William Carlos Williams. The Pocket Poets Series: Number Four. Small quarto, original printed wrappers; custom cloth box. Small quarto, original wrappers; custom box housing both Howl and The Black Mountain Review. A little toning to spine (as usual) and a small abrasion to rear cover. Overall an exceptionally fresh, clean beautiful copy.

AN EXCEPTIONAL INSCRIBED COPY: FIRST EDITION, one of only 1000 copies, SIGNED AND INSCRIBED BY GINSBERG (with additional amusing commentary) and fellow Beat poet GREGORY CORSO.First inscribed by Corso on title "For Gergory, love Allen Ginsberg / S.F. -1956"; with Ginsberg's inscription beneath "This is Gregory Corso's Natural hand - A. Ginsberg 1977". Signed also by Ginsberg on title: "Allen Ginsberg Cambridge 1977 / This is Allen Ginsberg's Hand - Allen Ginsberg / 1977/ Dec 4". All surrounded with Ginsberg's characteristic flower and sun drawing (with "AH" in the "O" in "Howl"). On the verso of the title page Corso has written "Gregory. Here's one to harm [?] yr eyes / Allen Ginsberg / 1956"; with Ginsberg writing beneath "This is Gregory Corso's fake hand / Allen Ginsberg / Cambridge Dec 4, 77"."In October 1955 Ginsberg read the first part of his new poem ['Howl'] in public for the first time to tumultuous applause at the Six Gallery reading in San Francisco with the local poets Kenneth Rexroth, Gary Snyder, Michael McClure, Philip Whalen, and Philip LaMantia. Journalists were quick to herald the reading as a landmark event in American poetry, the birth of what they labeled the San Francisco Poetry Renaissance. Lawrence Ferlinghetti, who ran the City Lights Book Store and the City Lights publishing house in North Beach, sent Ginsberg a telegram echoing Ralph Waldo Emerson's response to Walt Whitman's Leaves of Grass: 'I greet you at the beginning of a great career. When do I get the manuscript?' Later Ginsberg wrote that 'in publishing 'Howl,' I was curious to leave behind after my generation an emotional time bomb that would continue exploding in U.S. consciousness in case our military-industrial-nationalist complex solidified into a repressive police bureaucracy' (Original Draft Facsimile Howl, p. xii). "Early in the following year Howl and Other Poems was published with an introduction by William Carlos Williams as number four in the City Lights Pocket Poets Series. In May 1956 copies of the small black-and-white stapled paperback were seized by the San Francisco police, who arrested Ferlinghetti and Shigeyoshi Murao, his shop manager, and charged them with publishing and selling an obscene and indecent book. The American Civil Liberties Union took up the defense of Ginsberg's poem in a highly publicized obscenity trial in San Francisco, which concluded in October 1957 when Judge Clayton Horn ruled that Howl had redeeming social value" (American National Biography). Introduction by William Carlos Williams. The Pocket Poets Series: Number Four. Small quarto, original printed wrappers; custom half-morocco box. Front wrapper spotted and toned, small damp stain to top last leaf. An outstanding signed and inscribed association copy.

FIRST EDITION, FIRST ISSUE, INSCRIBED BY NABOKOV TO HIS WIFE, VERA. The inscription translates as "My beloved, here's a little book for you, my life, here's another little book for you, my love, there will be more little books". With small notations highlighting text throughout. Nikolai Gogol is one of Nabokov's earliest works in English.  12mo. Original cloth, first issue dust jacket. A fine copy. 

FIRST EDITION, SIGNED BY ANNIE LEIBOVITZ."I hate the word 'celebrity.' I've always been more interested in what people do than who they are, and I hope that my photographs reflect that. I have the opportunity to work with people who are the best actors, and writers, and athletes, and dancers--a broad spectrum. I feel like I'm photographing people who matter, in one way or another. I'm photographing my time."–Annie Leibovitz, in an interview with Literal MagazineFolio, original photo-pictorial boards, original glassine. Minor tears at extremities of rear glassine wrapper. A lovely copy.

"Painting relates to both art and life. Neither can be made. (I try to act in that gap between the two.)" –Robert RauschenbergFIRST EDITION, BOLDLY SIGNED BY ROBERT RAUSCHENBERG. Original orange cloth, original dust jacket. With 200 illustrations including 92 color plates. 

FIRST EDITION, SIGNED AND INSCRIBED BY JULIA CHILD. Octavo, original cloth, original jacket. An exceptional copy. Rare signed. 

"A global environmental crisis threatens to overwhelm our children's generation. Mitigating the crisis will require a planetary perspective, long-term thinking, political courage and savvy, eloquence and leadership––all of which are in evidence in Al Gore's landmark book."–Carl SaganFIRST EDITION, SIGNED AND INSCRIBED BY AL GORE: "For the grandchildren of Sally and Paul Robinson". A fine copy in the original dust jacket. 

FIRST EDITION OF SENDAK'S THIRD BOOK, SIGNED AND INSCRIBED BY SENDAK. Gilt lettered red cloth, original dust jacket ($12.95 on front flap). Outside Over There is Sendak's story of Ida, a pre-adolescent girl who must contend with sibling jealousy, new responsibilities and goblins who kidnap her young sister. A splendid copy, with Sendak's enchanting illustrations. 

FIRST EDITION, SIGNED BY TONI MORRISON. Original gilt stamped cloth, original dust jacket. A fine copy signed by Nobel Laureate Toni Morrison. 

FIRST EDITION, SIGNED AND INSCRIBED BY RAY BRADBURY. Octavo, original cloth, original dust jacket. A fine copy. 

SIGNED AND INSCRIBED BY ALLEN GINSBERG, WITH SUNFLOWER DRAWING. A later printing of Ginsberg's masterpiece. "In October 1955 Ginsberg read the first part of his new poem ['Howl'] in public for the first time to tumultuous applause at the Six Gallery reading in San Francisco with the local poets Kenneth Rexroth, Gary Snyder, Michael McClure, Philip Whalen, and Philip LaMantia. Journalists were quick to herald the reading as a landmark event in American poetry, the birth of what they labeled the San Francisco Poetry Renaissance. Lawrence Ferlinghetti, who ran the City Lights Book Store and the City Lights publishing house in North Beach, sent Ginsberg a telegram echoing Ralph Waldo Emerson's response to Walt Whitman's Leaves of Grass: 'I greet you at the beginning of a great career. When do I get the manuscript?' Later Ginsberg wrote that 'in publishing 'Howl,' I was curious to leave behind after my generation an emotional time bomb that would continue exploding in U.S. consciousness in case our military-industrial-nationalist complex solidified into a repressive police bureaucracy' (Original Draft Facsimile Howl, p. xii). Very nearly fine with only the most trivial wear to extremities. 

"What you have lost will not be returned to you; it always be lost. You’re left with only your scars to mark the void. All you can choose to do is go on, or not. But if you go on, it’s knowing you carry your scars with you."FIRST EDITION, SIGNED BY CHARLES FRAZIER. A superb copy. 

FIRST EDITION, INITIALED BY WARHOL ON HALF-TITLE. New York: Harcourt Brace Jovanovich, 1975. Octavo, original cloth, original dust jacket. A fine copy in a very good dust jacket (slight blistering to jacket). 

"Avedon gravitates to those moments in which the oscillation between pretense and revelation is most intense. The subject of any of his photographs is likely to show in part isolation or grotesquerie, courage to the point of madness, isolation-and-defiance or sly amusement, desolation and wit, pride and sterility, pride and triumph. Victories, defeats mingle in the same moment sometimes or on adjoining pages..." –Harold Brodkey (from the Introductory Essay)FIRST EDITION. A spectacular production illustrated with Avedon's  photographs of Lauren Bacall, Joan Baez, Bridget Bardot, Audrey Hepburn, Anjelica Houston, Janis Joplin, Sophia Loren, Marilyn Monroe, Yves Saint Laurent, Elizabeth Taylor, Diana Vreeland and many more. A near fine copy with the original acetate jacket in very good condition with wear and chip at the top of the spine. An excellent copy signed and inscribed by Avedon. SOLD.

BEAUTIFUL SIGNED LIMITED EDITION from the Arion Press. One of 300 numbered copies (out of a total edition of 326), signed by Roth. Illustrated with 48 photographs of New York City in the period of the novel. At the time it was written, "Few publishers expressed interest in Call It Sleep because its moody undertones and true-to-life depictions of social and family conflicts were thought to be unmarketable to the nation's readers, who were struggling with the depression." It took decades until a critic wrote of it favorably enough to bring it to the public's attention again, when in 1964 Irving Howe published a review on the front page of the New York Times Book Review, making it a national bestseller. "For its combination of realistic detail, psychological symbolism, and modernist techniques, [Call It Sleep] marks an important transition in Jewish-American literature from the works of early immigrant writers such as Abraham Cahan and Anzia Yezierska to later modern voices such as Saul Bellow and Philip Roth" (American National Biography). San Francisco: Arion Press, 1995. Quarto, green half morocco, original decorated cloth, original decorated slipcase. A fine copy.

FIRST EDITION, INSCRIBED AND SIGNED BY SHERWOOD ANDERSON. "Dear David... One incident about the writing of this book will amuse you. The murder of Jim Gibson was written at the back of a little boat-laying place in Mobile Alabama while some sailors at a nearby table discussed the divinity of Christ. Sherwood Anderson."Octavo, original blue cloth. Dust jacket lacking. Spine sunned, light wear at spine head. A handsome copy with a superb inscription. 

RACKHAM, ARTHUR; SWINBURNE, ALGERNON CHARLES.The Springtide of Life. Poems of Childhood by Algernon Charles Swinburne.SIGNED LIMITED FIRST EDITION, number 354 of only 765 copies signed by illustrator Arthur Rackham. Beautifully illustrated collection of Swinburne's children's poems, with nine mounted colored plates and 52 black and white drawings. One reason why Swinburne never brought out such a collection was his failure to find an artist who could interpret to his satisfaction the simplicity and freshness of his verses. We are fortunate in having secured, in Mr. Arthur Rackham, one whose delicate and romantic fancy is in sensitive harmony with Swinburne's, and who understands, no less than he did, ho 'Heaven lies about us in our infancy.'" –Edmund Gosse, Preface Quarto, original half vellum over parchment boards with gilt designs. Some soiling to endpapers, binding with only the slightest soiling; an exceptionally clean copy. 

First French edition, SIGNED BY BECKETT on title page; one of only 112 copies printed on "bouffant select marques" and reserved for the publishers. A collection of six short plays, translated from English by Beckett.  Octavo, original printed wrappers; glassine. Unopened. A FINE COPY.

FIRST HARDCOVER EDITION, SIGNED BY LARRY CLARK, fully illustrated with reproductions of Clark's raw photographs. "I was born in Tulsa, Oklahoma in 1943. When I was sixteen I started shooting amphetamine. I shot with my friends everyday for three years and then left town but I've gone back through the years. Once the needle goes in it never comes out."“The initial shock of Tulsa was that it was photographed from inside the story, and this changed everything.” –Andrew Roth, The Book of 101 PhotobooksClark's groundbreaking first book was originally issued as a paperback in 1971. Quarto, original cloth, original dust jacket. Fine condition.

LIMITED EDITION, 1/100 COPIES SIGNED AND NUMBERED BY LEVINTHAL, ISSUED WITH A PHOTOGRAPH. Essay by Manthia Diawara."Levinthal's work is important because it confronts us with the Blackface stereotype, makes it speak to us directly, without an intermediary, and demands a response from us regardless of our race, age, or gender."–Manthia DiawaraQuarto, stamped black cloth; in a stamped red cloth box. Cibachrome print, 10x8 inches, with Levinthal's signature on verso; framed. 1999.

FIRST EDITION of Jarrell's first book, SIGNED and INSCRIBED BY JARRELL.Octavo. Original red cloth, original dust jacket. Cloth clean, dust jacket very good with minor wear at spine heel and slight toning at spine. Signed and inscribed by Jarrell on the front free endpaper. Custom cloth clamshell box.

FIRST EDITION, hardcover issue, SIGNED BY MAMET on dedication page. Winner of the 1976 Obie Award and the New York Drama Critics’ Circle Award for Best American Play of 1977; made into a 1996 film starring Dustin Hoffman. Octavo, original yellow cloth, original dust jacket; custom half-morocco box. A FINE COPY.

SIGNED LIMITED FIRST EDITION of Yeats's autobiographical work; one of only 1000 copies signed by Yeats. "Looking back from 1922, [Yeats] titled his autobiographical account of the decade of the 1890s The Trembling of the Veil. He recalled that Mallarme has said that 'his epoch was troubled by the trembling of the veil of the Temple,' and that 'as those words were still true, during the years of my life described in this book,' he had named it accordingly" (The Cambridge Companion to W.B. Yeats).Octavo, original half parchment over light green boards; original dust jacket. Dust jacket spine with light wear at the spine (slightly affecting label) and minor toning. An excellent copy. 

SIGNED BY ULYSSES S. GRANT AS PRESIDENT OF THE UNITED STATES.Partly-printed vellum document signed, “U.S. Grant,” as president. Military commission appointing H. Schuyler Ross a First Assistant Engineer in the Navy. Countersigned by George M. Robeson as Secretary of the Navy. Washington, 1873. Approximately 19 1/2x16 inches; slightly faded signature, usual folds, minor soiling, seal intact.

“So I should wish these Pansies to be taken as thoughts rather than anything else; casual thoughts that are true while they are true and irrelevant when the mood and circumstances changes. I should like them to be as fleeting as pansies, which wilt so soon, and are fascinating with their varied faces, while they last. And flowers, to my thinking, are not merely pretty-pretty. They have in their fragrance an earthiness of the humus and corruptive earth from which they spring. And pansies, in their streaked faces, have a look of many things besides hearts-ease.” - D.H. Lawrence “Lawrence himself never took Pansies as seriously as his hostile critics, as his two introductions make clear: he called them ‘rag poems’” (Keith Sagar, The Art of D.H. Lawrence). Nevertheless, this unexpurgated edition, considered by Lawrence to be complete with the full introduction and fourteen additional poems, was published privately due to concerns about pornography.  The manuscript had recently been seized by the English police for suspicions of obscenity, which Lawrence took as an insult and perhaps prompted the publication of this and another edition of 500 copies.  PRIVATELY PRINTED FIRST EDITION, number 48 of only 50 copies SIGNED BY LAWRENCE. Octavo, with frontispiece portait of Lawerence printed in brown. Title designed by W.G. West, printed in brown and blue, on Japanese vellum. Original soft grey/blue leather decorated in blue and gold, top edges gilt, others uncut. Bookplate of John Kobler (biographer of Al Capone) on frton pastesown. Spine faded, a little soiling to boards; original slipcase with a little fading and wear at edges; custom half-morocco box with gilt decoration on front board. A very nice copy. RARE.

FIRST AMERICAN EDITION OF HENRY MILLER'S TROPIC OF CANCER, 1/100 COPIES SIGNED BY MILLER. Tropic of Cancer was banned from publication in the United States until the appearance of the present edition; it was first published in 1934 in Paris by the Obelisk Press. Octavo, original publisher's quarter morocco and marbled boards. Occasional trivial rubbing at extremities, generally a fine copy.

SIGNED LIMITED FIRST EDITION, one of 800 copies signed by Woolf.
“Virginia Woolf’s novel about Vita Sackville-West represented a turn from the kind of experimentation in life in which she could not wholly let herself go to the kind of venture in art where she could be wholeheartedly involved” (Ralph Freedman, Virginia Woolf: Revaluation and Continuity, A Collection of Essays). Orlando came as a great departure from Woolf’s other novels—less carefully written, and “in some ways foolish—a novelist’s holiday rather than a novel” (ibid.). It was, indeed, less of a novel, than “the longest and most charming love letter in literature” (Nigel Nicholson).
Precedes the first UK edition. Krikpatrick A11a. Signed on verso of half-title. Octavo, original elaborately gilt-decorated cloth; custom cloth box. Fading to cloth (about an inch in from the edges on the front board, less on rear) and fraying to edges. A very good copy.

LIMITED EDITION, WITH TWO SIGNED COLOR ETCHINGS BY MAX ERNST, and 25 additional color lithographs; one of only 250 copies (out of a total edition of 320). An evocative collaboration between the surrealist poet Prevert and the surrealist artist Ernst. The Livre d'Artiste in the Twentieth Century 46. Large folio, loose as issued in original lithographed paper wrappers; original buckram clamshell box. Fraying to box edges, some foxing to wrappers; interior and plates fine.

FIRST EDITION, SIGNED AND INSCRIBED BY GADDIS on front free endpaper: "Martin / Cove ab homine (ut?) / unius libri (The Recognitions) / (and with every best wish.) / (ergo / (I mean, a child among / you taking notes / W. Gaddis".“As the most important precursor of many postmodernist novels about travel or movement, The Recognitions signals a change in the function of travel in fiction that is echoed in later nonfiction about travel... Since its appearance in 1955, Gaddis’ first novel has been in and out of print, initially ignored or misunderstood but subsequently praised as a central work of contemporary American fiction" (Alison Russell, Crossing Boundaries: Postmodern Travel Literature).Original cloth, original dust jacket; custom half-morocco box. Book fine, dust jacket near-fine with very minor edgewear.

FIRST EDITION, SIGNED BY FRIEDLANDER. Beautifully illustrated with reproductions of Friedlander's photographs of the monuments of America. Oblong folio, black-stamped green cloth with gilt detail, triple screw-post binding. A fine copy. 

First edition (cloth issue) SIGNED by Lyon. Book fine (without remainder mark), dust jacket with small tear at heel of spine, small closed tear to top of front panel, faint crease to front flap. 

FIRST EDITION, with the original dust jacket. Inscribed and presented by the legendary Hugh Edwards, one of the most influential curators of photography in America. Edwards was one of the first curators to grant Evans solo exhibitions and is credited with elevating the Art Institute of Chicago’s department of photography to world class status.The identity of the recipient, Bobby Evans, is unknown. The inscription includes a lengthy quotation from Thomas Wolfe’s Of Time and the River.Small quarto, original black cloth, original dust jacket. Book near fine with a light spotting to a some plates, dust jacket very good; spine slightly toned; some wear with loss at spine head. A very good copy with a distinguished provenance. 

FIRST EDITION, with slip (with printed header "Mexico City Blues by Jack Kerouac") signed and inscribed by Kerouac laid-in: "To Robert Wilson / from / Jack Kerouac".  Robert Wilson was an influential literary critic, publisher, bookseller, and champion of Beat Literature.The collection of poetry (or "choruses") was written over the span of three weeks, and the subjects vary widely, based on what Kerouac saw and heard as he was writing the volume. In fact, the only truly consistent element to the choruses is their style, their poetic sound, reflecting the stream of consciousness manner in which they were written and the attempt to reproduce jazz styles and rhythms. The poems, in spite of their vast array of content, overall described “Kerouac’s melancholy… his blues, his feeling down and out, lonely and alone in Mexico City" (Charters, Kerouac: A Biography).Octavo, original cloth, original dust jacket; custom half-morocco box. Book fine, dust jacket with a few smudges and a little wear to top of spine. 

FIRST EDITION OF JAMES LEE BURKE'S FIRST BOOK, WITH A LENGTHY INSRIPTION TO HIS FRIEND AND FELLOW WRITER, JAMES CRUMLEY.  "To the Crum and Charlie with best wishes from Jim Burke. Notice that the pages are bound loosely if you ever need anything to wrap your coffee grinds in or if needed for other purposes while reading in the bath" –– Your friend, J.B. 8/27/66" "In this era of 'awakening' for the hard-boiled genre, many post-Vietnam works confronted the traumatizing effects of the Vietnam War head-on by employing detectives openly characterized as Vietnam veterans in order to reveal the disillustionment and frustrations concerning the legality of the war and the subsequent treatment of American veterans. James Crumley, James Lee Burke and, to some extent Newton Thornburg, employ characters who are private investigators or characters attempting to unravel mysteries. These writers in particular expose a society ignorant of individual trauma and direct their anger toward a government that abandoned its soldiers upon their return from combat." – Sarah Trott, The Detective as Veteran Octavo, original cloth, orignal dust jacket. A near-fine copy in an excellent example of the original dust jacket. Lengthy inscription from Burke to Crumley on front free endpaper. Additionally signed and dated (8/8/96) by Burke on the title page. A superb association. Custom cloth box.

First authorized American edition, INSCRIBED BY ILLUSTRATOR ERNST REICHL IN THE YEAR OF PUBLICATION. "Not only designed, but signed, for a good old friend. Ernst Reichl / 1.23.34" Octavo, original oatmeal cloth, presumed first issue dust jacket (with 'Reichl' on lower front wrapper). Book near fine with few marks on covers, dust jacket very good with tape reinforcement at spine head verso, crease and small chips to jacket spine. 

FIRST EDITION. THE RARE DELUXE ISSUE: 1 OF 100 SIGNED COPIES WITH A SIGNED AND NUMBERED POLAROID. This copy numbered 80. Quarto. Color and black and white photographs throughout. Polaroid, signed ("LS") and numbered ("80/100") in original glassine sleeve. (Edges lightly toned.) Original pictorial cloth, front cover with embossed lettering, and centered with a mounted color photograph. A FINE COPY.

FIRST EDITION of Mailer's masterpiece, SIGNED AND INSCRIBED BY MAILER TO PAUL BARTEL: "To Paul, with the best / recollections of / how he came forward / with the best / advice for Chapter Five / Salutations / Norman Mailer / Feb '92." Written when Mailer was just twenty-five, The Naked and the Dead is one of the classic novels of World War II. Both a critical and commercial success (it remained at the top of The New York Times best-seller list for eleven weeks), it launched Mailer's career and remains one of the most influential American novels of the century. Paul Bartel was a writer, actor, and director best known for his 1982 film, Eating Raoul.  Octavo, original cloth, original dust jacket; custom box. An outstanding, fine copy, extremely rare in such good condition.

FIRST EDITION, SIGNED AND INSCRIBED on front free endpaper: "To John / Love, gratitude - all of that. / Toni / 11.5.70". Inscribed to and from the library of John A. Williams, with his signed card laid-in. The recipient, John Alfred Williams, is a noted African-American writer and academic. Octavo, original half-cloth over boards, original dust jacket.; custom half-morocco box. Book fine, some toning to edges and spine of dust jacket. An outstanding inscribed association copy of the rare first edition.