Gift Ideas

"Love is all the dirty little tricks you taught me that you probably got out of some book."FIRST EDITION. Original cloth, original dust jacket. A very good copy; jacket bright and well preserved with light rubbing, edgewear and a patch of discoloration on verso only. A very handsome copy. 

SIGNED BY ULYSSES S. GRANT AS PRESIDENT OF THE UNITED STATES.Partly-printed vellum document signed, “U.S. Grant,” as president. Military commission appointing H. Schuyler Ross a First Assistant Engineer in the Navy. Countersigned by George M. Robeson as Secretary of the Navy. Washington, 1873. Approximately 19 1/2x16 inches; slightly faded signature, usual folds, minor soiling, seal intact.

FIRST AMERICAN EDITION OF HENRY MILLER'S TROPIC OF CANCER, 1/100 COPIES SIGNED BY MILLER. Tropic of Cancer was banned from publication in the United States until the appearance of the present edition; it was first published in 1934 in Paris by the Obelisk Press. Octavo, original publisher's quarter morocco and marbled boards. Occasional trivial rubbing at extremities, generally a fine copy.

SIGNED LIMITED FIRST EDITION, one of 800 copies signed by Woolf.
“Virginia Woolf’s novel about Vita Sackville-West represented a turn from the kind of experimentation in life in which she could not wholly let herself go to the kind of venture in art where she could be wholeheartedly involved” (Ralph Freedman, Virginia Woolf: Revaluation and Continuity, A Collection of Essays). Orlando came as a great departure from Woolf’s other novels—less carefully written, and “in some ways foolish—a novelist’s holiday rather than a novel” (ibid.). It was, indeed, less of a novel, than “the longest and most charming love letter in literature” (Nigel Nicholson).
Precedes the first UK edition. Krikpatrick A11a. Signed on verso of half-title. Octavo, original elaborately gilt-decorated cloth; custom cloth box. Fading to cloth (about an inch in from the edges on the front board, less on rear) and fraying to edges. A very good copy.

LIMITED EDITION, WITH TWO SIGNED COLOR ETCHINGS BY MAX ERNST, and 25 additional color lithographs; one of only 250 copies (out of a total edition of 320). An evocative collaboration between the surrealist poet Prevert and the surrealist artist Ernst. The Livre d'Artiste in the Twentieth Century 46. Large folio, loose as issued in original lithographed paper wrappers; original buckram clamshell box. Fraying to box edges, some foxing to wrappers; interior and plates fine.

FIRST EDITION, 1/634 COPIES, IN THE PUBLISHER'S CLOTH BINDING.Two volumes. Octavo, original green cloth with gilt spine titles. Edges uncut. Light wear to cloth at oints and extremities, corners slightly bumped, spine somewhat cocked. Elegant bookplate at front pastedowns. Cloth clean and bright, text clean. An excellent copy housed in custom slipcase and chemise.

FIRST EDITION, FIRST PRINTING of what is considered to be Dick’s finest work and winner of the 1963 Hugo Award. A beautiful copy in the original dust jacket.First printing with D36 of page 239. Pringle, Science Fiction: The 100 Best Novels, 37. Octavo, original black cloth, original dust jacket. Book with slight bump at heel of spine and a hint of edgewear to dust jacket. A beautiful, bright copy. 

FIRST EDITION, SIGNED BY FRIEDLANDER. Beautifully illustrated with reproductions of Friedlander's photographs of the monuments of America. Oblong folio, black-stamped green cloth with gilt detail, triple screw-post binding. A fine copy. 

THIRD EDITION of William of Auvergne's meditation on the subject of prayer. This work was first published in 1491 and again in 1492.Octavo. 152 printed leaves. Beautifully rebound in (early) printed leaf over boards with vellum manuscript leaves on paste-downs. Printers device on title and verso of final leaf; rubricated in red and blue. Small hole to margin of first few leaves; occasional light dampstaining to margins; a superb and quite desirable copy.

FIRST EDITION, with the original dust jacket. Inscribed and presented by the legendary Hugh Edwards, one of the most influential curators of photography in America. Edwards was one of the first curators to grant Evans solo exhibitions and is credited with elevating the Art Institute of Chicago’s department of photography to world class status.The identity of the recipient, Bobby Evans, is unknown. The inscription includes a lengthy quotation from Thomas Wolfe’s Of Time and the River.Small quarto, original black cloth, original dust jacket. Book near fine with a light spotting to a some plates, dust jacket very good; spine slightly toned; some wear with loss at spine head. A very good copy with a distinguished provenance.