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FIRST EDITION, illustrated with 208 beautiful copper-plate engravings and numerous in-text illustrations and vignettes.Winckelmann is best known for his monumental Geschichte der Kunst des Altertums (History of the Art of Antiquity, 1764), which enjoyed tremendous popular success and permanently reshaped aesthetic criticism. The Monuments, his last published work, stands by itself as "a masterpiece of interpretation and explanation" and "a pioneering work in the field of archaeological methodology" (Catholic Encyclopedia; Lappmann).  Significantly, it is also the only one of Winckelmann's works published in his lifetime to be extensively illustrated.  Folio, contemporary vellum with original red leather label, decorated endpapers. Two volumes in one. Text in Italian. Bookplates. Light wear to binding, very small library number on dedication leaf, small tear to endpaper. Occasional light foxing. Plates very clean. A superb, wide-margined copy in contemporary vellum of the beautifully-illustrated first edition.

FIRST EDITION of Mailer's masterpiece, SIGNED AND INSCRIBED BY MAILER TO PAUL BARTEL: "To Paul, with the best / recollections of / how he came forward / with the best / advice for Chapter Five / Salutations / Norman Mailer / Feb '92." Written when Mailer was just twenty-five, The Naked and the Dead is one of the classic novels of World War II. Both a critical and commercial success (it remained at the top of The New York Times best-seller list for eleven weeks), it launched Mailer's career and remains one of the most influential American novels of the century. Paul Bartel was a writer, actor, and director best known for his 1982 film, Eating Raoul.  Octavo, original cloth, original dust jacket; custom box. An outstanding, fine copy, extremely rare in such good condition.

FIRST EDITION, SIGNED AND INSCRIBED on front free endpaper: "To John / Love, gratitude - all of that. / Toni / 11.5.70". Inscribed to and from the library of John A. Williams, with his signed card laid-in. The recipient, John Alfred Williams, is a noted African-American writer and academic. Octavo, original half-cloth over boards, original dust jacket.; custom half-morocco box. Book fine, some toning to edges and spine of dust jacket. An outstanding inscribed association copy of the rare first edition.

FIRST EDITION of arguably Hemingway's greatest work."A Farewell to Arms made Hemingway a famous author. Published just as he passed his thirtieth birthday, it brought him the kind of public and critical acclaim he had been seeking since he had decided, in the aftermath of his wounding in 1918, to become a writer. During the ten-year interim, he had worked effectively as a foreign correspondent and then abandoned that career to devote all his energy to fashioning the understated and pared-away prose style that was his most important legacy to twentieth-century literature" (Donaldson, New Essays on A Farewell to Arms).First issue, with no disclaimer and 'Katherine' instead of 'Catherine'. Bookplate on front pastedown of Daniel Henry Holmes Ingalls, noted translator and Wales Professor of Sanskrit at Harvard.Octavo, original cloth, original dust jacket; custom half-morocco box. Book near-fine with foxing to text block edges (as often); dust jacket with very minor toning to spine, slight wear at head of spine, a few spots of light superficial rubbing. An exceptional copy of the first trade edition.

FIRST COMPLETE EDITION OF AESCHYLUS. With the editio princeps of the Agamemnon. “An excellent and beautiful edition... It is a much more valuable impression than either of its precursors.. what enhances the value of the edition is, that the Agamemnon is published in it, for the first time, complete.” -Dibdin, An introduction to the knowledge of rare and valuable editions of the Greek and Latin Classics Quarto. Early full tree-calf skillfully rebacked, spine in six compartments, red leather label. Gilt dentelles, marbled endpapers, all edges gilt. Text generallly clean throughout; repaired tear to the lower portion of title page. A handsome copy of an important and distinguished edition.

FIRST EDITION, SIGNED BY WHITMAN. “As a Strong Bird on Pinions Free”, before becoming the final addition to the final edition of Leaves of Grass, was published independently by Whitman in 1872, twenty years before the poet’s death. The title poem was written as a commencement for Dartmouth College as one of the few pieces Whitman recited publicly. With large Whitman signature across title page. Octavo, original dark green cloth; custom half-morocco box. Minor discoloration to pastedowns. a little fraying to spine ends and corners. 

FIRST EDITION of Vols II-VI, THIRD EDITION of vol I. This is the first issue of Volume I to set Gibbon's footnotes at page-bottom instead of an the end of the volume, a major iomprovement in readability. "To [his] task Gibbon brought a width of vision and a critical mastery of the available sources which have not been equalled to this day; and the result was clothed in an inimitable prose" (PMM). Six volumes. Quarto. Rebound in period style quarter calf over marbled boards, the spines gilt with red morocco title and volume labels. An attractive and desirable set. Clean throughout.

FIRST EDITION of the first comprehensive collection of Latin inscriptions from the press of Apianus. Inscriptiones Sacrosanctae was commissioned by the German banker Raimund Fugger whose own collection of antiquities, together with the collection of Peutinger, provide the basis of the majority of Apianus's study. This work gathered inscrptions from all over Europe and, for the first time, arranged them geographically. Folio. Contemporary full vellum. Title printed in red & black, with large woodcut after Durer. Woodcut arms of Raimund Fugger (dedicatee), approx. 180 woodcuts in the text, most pages with ornamental woodcut borders, printer's device at back. Elegant early owner inscription on title. A lovely copy with only very minor occasional spotting. Rare.

FIRST EDITION, SIGNED BY MONDRIAN IN ORIGINAL WRAPPERS. 14 pp. Octavo. Original wrappers. Signed and incribed in pencil by Mondrian on title. Small chip at head of spine, small stain on front wrapper. VERY RARE SIGNED.

FIRST EDITION. Quarto. Original green cloth, original dust jacket. Jacket worn and chipped. A very good copy. 

“The tone of the ‘beat’ world, as Burroughs first perceived it, chimed with the world of Jack Black.” –James Campbell, This is the Beat GenerationFIRST EDITION of Black's influential autobiography; with the extremely rare original dust jacket. This book is often hailed as the first "Beat " book.The memoir of a notorious thief, vagabond, and ‘honorable’ outlaw, You Can’t Win was a bestseller upon its publication in 1926. It would become a favorite book of William S. Burroughs (whose "Junkie" is modeled after it) and with its depiction of a free, loose, nomadic lifestyle, become one of the most influential works for the Beat movement.   Burroughs claimed that, in his representation of the dying days of the Wild West, Jack Black “has recorded a chapter of specifically American life that is now gone forever,” a way of life that Burroughs, Jack Kerouac, Allen Ginsberg, and others would try to adapt and re-create for their own generation. Octavo, original cloth, original dust jacket; custom box. Early owner signature on front endpaper. Book fine, dust jacket shows wear at spine, with large chip at tail. Scarce in dust jacket.

FIRST EDITION, FIRST ISSUE, with plate numbers within the plate lines and the plate at 70-71 uncorrected and reading“Warwick Shire”.“We hope to lay down in one body the whole science of architecture, from its first rudiments to its utmost perfection; and that in a manner which shall render every part of it intelligible to every reader; to acquaint the gentleman with what, on every possible occasion, he should design in his edifice; and to instruct the practical builder in not only what he ought to do, but how he should execute it, to his own credit, and to the advantage of the owner.” –Isaac Ware, Complete Body of Architecture“The modern concept of architecture as a profession was formed after about 1750 ... [the] two major books of English professional architectur- al instruction of the eighteenth century [were] Ware’ Complete Body of Architecture and Sir William Chambers’s Treatise on Civil Architecture” (Studies in Eighteenth-Century British Art and Aesthetics).Folio, full contemporary calf, elaborately gilt spine in seven pan- els. Engraved frontispiece, title in red and black with engraved vignette, engraved head-piece and 114 plates (many of them fold- ing). Boards lightly rubbed, skillful repairs at hinges and spine ends, clean throughout. An excellent copy.

FIRST EDITION of Ellison's first book, winner of the 1953 National Book Award for Fiction. A fine copy.Ellison’s “importance as a writer was established by his first novel, Invisible Man, published in April 1952. Immediately acclaimed by critics, it was recognized not merely as an excellent novel by a black author, but as a great literary achievement. In The Negro Novel in America, Robert Bone called Invisible Man ‘quite possibly the best American novel since World War II.’ Also well received by general readers, the novel spent sixteen weeks on the New York Times bestseller list” (American National Biography). Octavo, original beige cloth, original dust jacket; custom half-morocco box. A fine copy.

FIRST EDITION, SIGNED BY KEN KESEY. Octavo, original cloth, original dust jacket. First issue dust jacket (with Kerouac's blurb on front flap). Owner signature at front pastedown. A nearly fine copy in very lightly toned jacket with trivial wear at spine ends and small waterstain at inside front flap. An excellent copy signed by Kesey on the front free endpaper. 

FIRST EDITION. A splendid work beautifully illustrated with 48 superb engravings (on 46 sheets) depicting bas-reliefs of triumphal arches in Rome. Folio. 18th-century calf, spine elaborately gilt with gilt-stamped spine label, marbled endpapers.  Engraved portrait of dedicatee (Cardinal Pietro Ottoboni), 48 engraved plates. Binding lightly rubbed with moderate wear at spine head; clean throughout. A lovely wide margined copy.

First edition of Thomas Bayes's extremely influential work on the concept of "inverse probability", the basis of modern statistical inference.Bayes's paper marked “a truly Copernican revolution in statistical concept ... [It] served to embed his name in what has become ... one of the most widely known eponyms in all of science, Bayesian inference ... The ideas this essay contains have been of vast influence” (S. M. Stigler, The History of Statistics).''Bayes, a Nonconformist minister, published only two works during his lifetime: Divine Benefits (1731), a religious treatise; and Introduction to the Doctrine of Fluxions (1736), in which he responded to Bishop Berkeley's attack on the logical foundations of Newton's calculus. For the latter work he was elected a member of the Royal Society in 1742. In 1763, two years after Bayes's death, Richard Price, a fellow Non­conformist minister, economist, and actuary to whom Bayes had bequeathed his papers, found Bayes's Essay and submitted it to the Royal Society for publication. The arguments in Bayes's paper were adopted by Laplace, who saw in them the basis for statistical inference; they were later challenged by George Boole in his Laws of Thought.“Bayes’s Essay contains the first statement of Bayes's Theorem for calculating 'inverse probabilities', which forms the basis for methods of decision analysis, statistical learning machines, and Bayesian networks. Bayesian networks are complex diagrams that organise the body of knowledge in any given area by mapping out cause-and­-effect relationships among key variables and encoding them with numbers that represent the extent to which one variable is likely to affect another. Programmed into computers, these systems can automatically generate optimal predictions or decisions even when key pieces of information are missing. Bayesian or subjective decision theory is arguably the most comprehensive theory of decision-making; however, until the late 1980s, it had little impact due to the stupefying complexity of the mathematics involved. The rapid advances in computing power and the development of key mathematical equations during the late 1980s and early 1990s made it possible to compute Bayesian networks with enough variables to be useful in practical applications" (Hook & Norman).With the advent of the Internet, Bayesian networks have been applied extensively to fundamental search structures. "Search giant Google and Autonomy, a company that sells information retrieval tools, both employ Bayesian principles to provide likely (but technically never exact) results to data searches. Researchers are also using Bayesian models to determine correlations between specific symptoms and diseases, create personal robots, and develop artificially intelligent devices that 'think' by doing what data and experience tell them to do" (Michael Kanellos, "18th-century theory is new force in computing").Only one other mathematical contribution of Bayes has come down to us, which appears on pp. 269-71. It is referred to by Price on p. 401 of the Essay in connection with the evaluation of factorials needed for the second rule. In this paper Bayes considers the series for log n! given by Stirling and de Moivre. He makes the important observation that "at length the subsequent terms of this series are greater than the preceding ones, and increase in infinitum, and therefore the whole series can have no ultimate value whatsoever" (p. 270). This was contrary to de Moivre's view that the series "converged, but slowly". Bayes was, in fact, the first to appreciate the asymptotic character of Stirling's series: there is now an extensive theory of such 'asymptotic series'. The present volume also contains a paper by Ferguson on the anticipated 1769 transit of Venus, which prompted Captain Cook's voyage to Tahiti, and led to the first accurate measurement of the sun's distance, illustrated with a fine large folding engraved plate.An essay towards solving a problem in the Doctrine of Chances. By the late Rev. Mr. Bayes F.R.S. Communicated by Mr. Price in a Letter to John Canton, A.M. F.R.S. in Philosophical Transactions, Vol. LIII (1763), pp. 370-418. London: L. Davis and C. Reymers, Printers to the Royal Society, 1764. With 26 engraved plates, mostly folding. Quarto, contemporary full calf rebacked. The entire volume, #53 for 1763 offered. "Belfast Society" in gilt on front board. Moderate wear to contemporary boards with renewed corners and edges; interior fine.

FIRST EDITION. COMPLETE WITH 128 engraved plates (including title and dedication). "The Column of Trajan was dedicated on May 18, AD 113, and commemorates a series of militray campaigns waged by the emperor in Dacia between AD 101 and 106... The column itself if composed of 17 separate drums of fine Luna marble, and the carved spiral frieze contains 155 different scenes featuring 2,600 carved figures... the fine details of the carvings... have proven to be of enormous use to historians and archaeologists in reconstructing the particulars of Roman military equipment and tactics, as well as the interactions of the Romans with barbarians."–Gregory S. Aldrete, Daily Life in the Roman CIty: Rome, Pompeii, and Ostia Oblong folio. 128 engraved plates (incl. title & dedication); without the 9 leaves of text (as often). Uncut in 19th century half roan (some light wear to edges, short splits in lower joints, foxing to title & a few other plates, mainly in the margins).

FIRST EDITION, FIRST STATE of the most famous and most beloved biography in the English language. One of only 1750 copies of the first edition printed (both first and second states combined). p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Times; color: #424242; -webkit-text-stroke: #424242} span.s1 {font-kerning: none} "Anyone interested in biography soon becomes interested in Boswell's Life of Johnson. It stands next to other biographies as Shakespeare stands beside other playwrights: towering above them all. For more than two centuries it has been continually in print, and in that time it has won innumerable admirers. No other biography has given so much pleasure; no other biographer has created such a vivid central character. It has become a truism that, as a result of Boswell's extraordinary book, Samuel Johnson is better known to us than any other man in history" (Sisman, Boswell's Presumptuous Task, xv). First state with "gve" on page 135 of vol. I. Quarto. Two volumes. Contemporary calf, skillfully rebacked. Gilt compartments, double-labels. A wide margined copy in a handsome binding. With frontispiece (after Sir Joshua Reynolds) and the two engraved plates in vol. II. Courtney & Smith, pp. 172-73. Pottle 79. Grolier English Hundred 65. Rothschild 463.

FIRST EDITION of Kerouac's first novel SIGNED AND INSCRIBED by Kerouac to Judge Vincent Lupiano who performed the wedding service for Kerouac's marriage to Joan: "A thousand thanks for tying my marital knot--Best luck in all the world to you & yours--Sincerely, Jack Kerouac and his new missus, Joan". With letter of provenance from Lupiano's son. “For too many readers, and critics as well, Kerouac begins and ends with On the Road, yet he had already been writing and publishing for years when he produced the seminal Beat text… Readers who are interested in understanding Kerouac’s themes and methods, as well as his place in American literature, owe it to themselves to start with Kerouac’s first book” (Michael J. Dittman, Jack Kerouac: A Biography). With "Compliments of the Author" card laid-in. Inscribed on the front free endpaper. Octavo, original red cloth, original dust jacket; custom box. Book very good, dust jacket with mild edgewear and some foxing to rear panel.

FIRST EDITION, in the rare first-issue binding ("binding A"), of Robert Frost's first book of poetry. "By 1911 Frost was fighting against discouragement. Poetry had always been considered a young person's game, but Frost, who was nearly 40 years old, had not published a single book of poems and had seen just a handful appear in magazines. In 1911 ownership of the Derry farm passed to Frost. A momentous decision was made: to sell the farm and use the proceeds to make a radical new start in London, where publishers were perceived to be more receptive to new talent. Accordingly, in August 1912 the Frost family sailed across the Atlantic to England. Frost carried with him sheaves of verses he had written but not gotten into print. English publishers in London did indeed prove more receptive to innovative verse, and, through his own vigorous efforts and those of the expatriate American poet Ezra Pound, Frost within a year had published A Boy's Will (1913). From this first book, such poems as 'Storm Fear,' 'Mowing,' and 'The Tuft of Flowers' have remained standard anthology pieces" (Britannica).Octavo, original bronzed brown cloth with upper cover title in gilt. A fine copy. RARE. 

SCARCE FIRST EDITION, SIGNED BY GERNSBACK, of one of the foundational texts in science fiction."In April 1911 'Modern Electrics' began serializing Gernsback's Ralph 124C 41+, written to exemplify (Gernsback's) contention that fiction could serve to teach science... Thoroughly deficient as fiction, the story nevertheless predicts radar, microfilm and microfiche, tape recorders, television, wireless transmission of power, planet hormones, and weather control" (American National Biography).Ralph 124C 41+ was published when many other magazines were struggling, and it led Gernsback to almost single-handedly establish a place for science fiction stories, as he allowed contemporary writers space in his science magazines. The success of these stories may have induced Gernsback to create the first science fiction magazine, Amazing Stories, which started publication the year after Ralph 124C 41+ was printed in book form. The Hugo Awards, science fiction's most prestigious prize, were named in honor of Hugo Gernsback.Signed on the front free endpaper. Octavo, original blue cloth
with gilt lettering, original dust jacket. Bookplate of Roy V. Hunt, editor and artist for the science fiction magazine The Alchemist on front pastedown. Book fine with cloth exceptionally bright; original dust jacket with some tape reinforcement at verso edges; closed tear at top of front panel and very minor edgewear. Rare signed. 

First edition, SIGNED and INSCRIBED by Man Ray: "for Arnold and Gus Newman affectionately Man Ray 1963". With an original line drawing by Man Ray and Newman's notations on front endpaper. An important association copy.

RARE FIRST EDITION of books V-VII of Apollonius’s hugely influential Conics, containing his most original work. Apollonius was “known by his contemporaries as ‘the Great Geometer,’ whose treatise Conics is one of the greatest scientific works from the ancient world. Most of his other treatises are now lost, although their titles and a general indication of their contents were passed on by later writers, especially Pappus of Alexandria (fl. c. AD 320). Apollonius's work inspired much of the advancement of geometry in the Islamic world in medieval times, and the rediscovery of his Conics in Renaissance Europe formed a good part of the mathematical basis for the scientific revolution.“The first four books of the Conics survive in the original Greek, the next three only from a 9th-century Arabic translation, and an eighth book is now lost. Books I–IV contain a systematic account of the essential principles of conics and introduce the terms ellipse, parabola, and hyperbola, by which they became known. Although most of Books I–II are based on previous works, a number of theorems in Book III and the greater part of Book IV are new. It is with Books V–VII, however, that Apollonius demonstrates his originality. His genius is most evident in Book V, in which he considers the shortest and the longest straight lines that can be drawn from a given point to points on the curve. (Such considerations, with the introduction of a coordinate system, lead immediately to a complete characterization of the curvature properties of the conics.)” (Britannica). With: Archimedes’s Liber Assumptorum following the Apollonius. Complete with half-title. Folio, contemporary full calf rebacked with original gilt-decorated spine laid down. Some scuffing to binding. Text clean with wide margins. 

FIRST EDITION of Euler's foundational work on mathematical analysis. "In his 'Introduction to Mathematical Analysis' Euler did for modern analysis what Euclid had done for ancient geometry. It contains an exposition of algebra, trigonometry and analytical geometry, both plane and solid, a definition of logarithms as exponents, and important contributions to the theory of equations. He evolved the modern exponential treatment of logarithms, including the fact that each number has an infinity of natural logarithms. In the early chapters there appears for the first time the definition of mathematical function, one of the fundamental concepts of modern mathematics. From Euler's time mathematics and physics tended to be treated algebraically, and many of his principles are still used in teaching mathematics" (PMM 196). Without the engraved portrait of the dedicatee Jean-Jacques Dortous de Mairan, possible indicating that this is an early issue. Titles in red and black with engraved vignettes, frontispiece by Soubeyran after De la Monce; with directions to the binder and 40 folding engraved plates in rear (largely unopened), woodcut initials, head- and tailpieces and chapter vignettes. Quarto, original blue wrappers with paper labels; custom cloth box. Two volumes. A few leaves with light dampstaining in outer margin, otherwise a fine, crisp uncut copy; extremely rare in original wrappers.

FIRST EDITION, SIGNED BY MAN RAY. A FINE COPY. "I paint what cannot be photographed, that which comes from the imagination or from dreams, or from an unconscious drive. I photograph the things that I do not wish to paint, the things which already have an existence." -Man RayOctavo, stamped blue wrappers, with the black die-cut outer wrapper. A fine copy, signed by Man Ray on the title page. A FINE COPY.

FIRST EDITION, FIRST ISSUE. 4 engraved frontispieces, titles printed in red & black with woodcut vignette on each, 3 engraved maps, including 2 folding, 22 folding plates, later bookplate, contemporary speckled calf, spine gilt compartments within raised gilt bands, a few small abrasions and cracks. 12mo. Two volumes bound in one.

SECOND (FIRST DATED) EDITION OF SIDONIUS, AN EXCELLENT COPY FROM ULRICH SCINZENELER'S MILAN PRESS. Sidonius, a diplomat, poet and bishop, is one of the key sources from 5th-century Gaul. Sidonius married the daughter of the Roman Emperor Avitus. The Golden Poems in this volume were written in honor of the Avitus. He was rewarded with a bronze statue in Tranjan's library. Chancery folio (283 x 194mm.), 144 leaves, 57 lines commentary surrounding text, Roman and Greek letter, woodcut initials. 18th century full-leather binding, expertly rebacked preserving original spine (except for lower spine panel which is done to style), gilt ornaments to boards, spine gilt, marbled endpapers. Bookplates at front pastedown. (Gerald P. Mander, Walter Goldwater). A clean copy with wide margins; light dampstains at lower margin of first 30 leaves, occasional dampstains throughout; repair at lower portion of title page (not affecting text).  This is the first edition with a commentary by Joannes Baptista Pius and the second printed edition, preceded by the exceedingly scarce 1474 edition. Hain Copinger 1287; Goff S 494.

Pre-publication edition, SIGNED by Soth. Number 26 or 30 numbered copies. With original Inkjet prints bound into cloth covers. Gilt stamped brown cloth with an original photograph mounted on front cover. Fine copy.

FIRST EDITION, PRESENTATION COPY, INSCRIBED BY LOWRY TO MONTGOMERY EVANS on the front free endpaper: To Montgomery Evans / from Malcolm Lowry-33 / Inglewood / Caldy Westkirby / Wirral / Cheshire. Provenance: Library of Roger Rechler (lot 203); Montgomery Evans (presentation inscription and bookplate).

FIRST EDITION, MAILER'S OWN COPY.  SIGNED AND INSCRIBED: "from my library / Norman Mailer" on half-title. With letter of provenance from Mailer's nephew Peter Alson.Written when Mailer was just twenty-five, The Naked and the Dead is one of the classic novels of World War II. Both a critical and commercial success (it remained at the top of The New York Times best-seller list for eleven weeks), it launched Mailer's career and remains one of the most influential American novels of the century. Octavo, original cloth, original dust jacket; custom half-morocco box. Book fine, dust jacket a little toned at flaps, some rubbing to extremities.

FIRST EDITION of the first four books of Apollonius's Conics; the first printing of any of his work. "Of the school of Euclid in Alexandria, Apollonius applied to conic sections the discipline that Euclid had given to geometry" (Dibner 101).Apollonius was “known by his contemporaries as ‘the Great Geometer,’ whose treatise Conics is one of the greatest scientific works from the ancient world. Most of his other treatises are now lost, although their titles and a general indication of their contents were passed on by later writers, especially Pappus of Alexandria (fl. c. AD 320). Apollonius's work inspired much of the advancement of geometry in the Islamic world in medieval times, and the rediscovery of his Conics in Renaissance Europe formed a good part of the mathematical basis for the scientific revolution.“The first four books of the Conics survive in the original Greek, the next three only from a 9th-century Arabic translation, and an eighth book is now lost. Books I–IV contain a systematic account of the essential principles of conics and introduce the terms ellipse, parabola, and hyperbola, by which they became known" (Britannica).Beautifully printed with diagrams on nearly every page. Bound with: SERENUS OF ANZI (fl. 4th century). Libri duo. Unus de sectione cylindri, alter de sectione coni. All texts translated from Greek into Latin and edited by Federico Commandino (1509-1575). Bologna: Alessandro Benacci, 1566. Bologna: Alessandro Benacci, 1566, Folio, early full vellum with silk ties, old tape repair to top of spine, some soiling to binding, ties frayed, evidence of signature removal at top of title, bookplate of Franz Joseph, Count of Kuenberg. Text exceptionally clean with wide margins. 

FIRST EDITION, a foundational work in modern mechanics. "Joseph-Louis Lagrange (1736-1813) continued the work of the earlier half of the century on the calculus; he extended mathematical analysis and the theory of equations; and in 1788 he published his Mechanique Analitique, a work second only to Newton's Principia in the history of mechanics" (Goodwin, The New Cambridge Modern History). "With the appearance of the Mechanique Analitique in 1788, Lagrange proposed to reduce the theory of mechanics and the art of solving problems in that field to general formulas, the mere development of which would yield all the equations necessary for the solution of every problem... [it] united and presented from a single point of view the various principles of mechanics, demonstrated their connection and mutual dependence, and made it possible to judge their validity and scope" (DSB)."Lagrange produced his greatest work, Mecanique analytique (1788; Analytical Mechanics), in Paris. This summarized the research in mechanics since Isaac Newton, based on Lagrange's own calculus of variations, and finally placed the mechanical theory of solids and fluids on a rigorous and analytical foundation" (Biographical Encyclopedia of Scientists). Dibner 112.Quarto, contemporary mottled calf, gilt-decorated spine with morocco label. Spine ends and corners a little worn, otherwise fine.

FIRST EDITION. With 200 engraved plates reproducing the superb statuary, painting, bas-reliefs, cameos and gems of Florence. Four volumes. Royal folio. Contemporary morocco over cloth boards.

"Although Man Ray participated in and produced hundreds of fruitful collaborative works in his life, Facile must be ranked among the most successful." --Roth, 101 BooksNumber 623 of 1200 copies on vein, SIGNED AND INSCRIBED by Paul Eluard on the half-title.Quarto, original wappers; custom half-morocco box. First gathering loose, a hint of wear to wrapper edges. A fine copy.

FIRST EDITION. “In Hugnet’s photocollages, and notably in his book La Septième Face du dé, composed of twenty poèmes-découpages, truncated limbs proliferate – female legs detached, crossed, spread-eagled, legs juxtaposed with large breasts or seashells, or multiple legs forming a rosace shape… The mechanism of duplication (or multiplication), characteristic of Hugnet’s collages, does in fact transform the body into fetishistic fragments, which are explicitly encoded as simulacra in the schematic outline which reduces the body to a flat disembodied sign of femininity” –Elza Adamowicz, Surrealist Collage in Text and Image: Dissecting the Exquisite CorpseFolio. 20 black and white photo-collages, some with colour, printed on white paper. Original pale-green card covers, designed by Marcel Duchamp, sewn in Japanese style with black thread. Near-fine, slightest rubbing at extremeties. Custom box. 

FIRST EDITION of the first Latin translation from the original Greek text. The Almagest, written in about 150 AD, "served as the basic guide for Islamic and European astronomers until about the beginning of the 17th century. Its original name was Mathematike Syntaxis (“The Mathematical Arrangement”); Almagest arose as an Arabic corruption of the Greek word for greatest (megiste). It was translated into Arabic about 827 and then from Arabic to Latin in the last half of the 12th century. Subsequently, the Greek text circulated widely in Europe, although the Latin translations from Arabic continued to be more influential."The Almagest is divided into 13 books. Book 1 gives arguments for a geocentric, spherical cosmos and introduces the necessary trigonometry, along with a trigonometry table, that allowed Ptolemy in subsequent books to explain and predict the motions of the Sun, Moon, planets, and stars. Book 2 uses spherical trigonometry to explain cartography and astronomical phenomena (such as the length of the longest day) characteristic of various localities. Book 3 deals with the motion of the Sun and how to predict its position in the zodiac at any given time, and Books 4 and 5 treat the more difficult problem of the Moon’s motion. Book 5 also describes the construction of instruments to aid in these investigations. The theory developed to this point is applied to solar and lunar eclipses in Book 6."Books 7 and 8 mainly concern the fixed stars, giving ecliptic coordinates and magnitudes for 1,022 stars. This star catalog relies heavily on that of Hipparchus (129 bc), and in the majority of cases Ptolemy simply converted Hipparchus’s description of the location of each star to ecliptic coordinates and then shifted these values by a constant to account for precession over the intervening centuries. These two books also discuss the construction of a star globe that adjusts for precession. The remaining five books, the most original, set forth in detail geometric models for the motion of the five planets visible to the naked eye, together with tables for predicting their positions at any given time."Commissioned by Pope Nicholas V (1446-1455), translated from Greek into Latin by Georgius Trapezuntius (1396-1472), edited by Luca Gaurico (1476-1558). An earlier Latin version had appeared in 1515, but was translated from the Arabic. Norman 1760; See Stillwell 97; Wellcome 5281.Venice: Lucantonio Giunta, 1528. Tall folio (313 x 218 mm), 18th-century full vellum with ink notation on spine. Collation: A6 a-s8 (s8 blank); 149 leaves (of 150, without a blank). Title printed in red and black. Printed in Roman, Gothic and Greek types with woodcut mathematical diagrams in margins throughout. Occasional light staining, mostly to margins; small hole in q8 (affecting border of table, a likely paper flaw); repairs to hinges. A beautiful wide-margined copy.

FIRST EDITION of Bernoulli's masterpiece, the foundational work for hydrodynamics (a term Bernoulli invented).Bernoulli's "reputation was established in 1738 with Hydrodynamica, in which he considered the properties of basic importance in fluid flow, particularly pressure, density, and velocity, and set forth their fundamental relationship. He put forward what is called Bernoulli’s principle, which states that the pressure in a fluid decreases as its velocity increases. He also established the basis for the kinetic theory of gases and heat by demonstrating that the impact of molecules on a surface would explain pressure and that, assuming the constant, random motion of molecules, pressure and motion increase with temperature" (Britannica)."Besides introducing the first hydraulic theory of fluid flow, this book is the most remarkable general work in theoretical and applied mechanics written in the pre-Langrangean period of the 18th century, based on a deep physical understanding of mechanical phenomena and presenting many new ideas for the following scientific progress" (Mikhailov, in Landmark Writings in Western Mathematics, 1640-1940).With 12 folding engraved plates and 86 illustrations. Quarto, contemporary full calf rebacked with the original spine laid-down.

FIRST EDITION of Bernoulli's foundational work on probablility theory.Jakob Bernoulli's "great treatise (conjectandi means literally 'casting, sc. dice) was published posthumously. It was the first systematic attempt to place the theory of probability on a firm basis and is still the foundation of much modern practice in all fields where propability is concerned - insurance, statistics and mathematical heredity tables" (PMM 179)."Jakob Bernoulli’s pioneering work Ars Conjectandi (published posthumously, 1713; “The Art of Conjecturing”) contained many of his finest concepts: his theory of permutations and combinations; the so-called Bernoulli numbers, by which he derived the exponential series; his treatment of mathematical and moral predictability; and the subject of probability—containing what is now called the Bernoulli law of large numbers, basic to all modern sampling theory" (Britannica).Small quarto, contemporary full calf rebacked with original spine laid down; elaborately gilt-decorated spine; marbled endpapers, edges dyed red. Bookplate of Ch. Roulleau de la Roussiere on front free endpaper. Neat small contemporary ownership inscription on title. Light occasional foxing generally to margins, foxing heavier on first few and last few leaves. A very good copy in handsome contemporary binding. 

First edition SIGNED BY SAMUEL BECKETT. Octavo, original wrappers; custom half-leather box. Text in French. Some browning and rubbing to spine. 

FIRST EDITION, of the defining work of Beat literature. Scarce review copy, with stiff review card laid-in.“Kerouac’s literary art bore no resemblance to the undisciplined ‘beatnik’ writing of the late 1950s. His extraordinary attention to detail, astonishing memory, and encyclopedic grasp of European and American literature, popular culture, and world religions enabled him to create densely textured narratives that, when read aloud as they were meant to be, achieved an incantatory dimension rarely experienced in modern literature” (American National Biography). On the Road was Kerouac’s first work—and in fact the first work in American literature—that exemplified this “literary art”.While most critics dismissed the novel as “self-indulgent, irresponsible, or dangerous”, “it created an instant literary sensation” (ibid.).  At the time of its publication, it was one of the few books that perfectly captured the zeitgeist of the post-war years and echoed it back to the rest of the country, amplified and embellished, to create something eternally contemporary. “Now more than ever, it seems, reading Paradise’s tale brings out the questing young wanderer in many a reader, no matter one’s age, gender, nationality, or predilection for all things Beat” (Holiday).Octavo, original cloth, original dust jacket; custom half-morocco box. With advance review slip laid-in. Book fine, dust jacket in outstanding condition with a few flecks of rubbing; also a small patch of dampstaining visible on verso only. A superb copy with the extremely rare review card.