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LIMITED EDITION, 1/1000 COPIES. Folio. Two volumes. Original paper wrappers printed in red and black. Original glassine. Complete with 14 plates by Alastair. An outstanding set with light wear to glassine wrappers. 

"I sometimes don't know how I feel about someone until I take his or her picture" –Nan Goldin FIRST EDITION. Oblong quarto. Original cloth, original photographic dust jacket. 

FIRST EDITION of Halley's important paper detailing his unprecedented mathematical description of the relationship between barometric pressure and altitude above sea level.  In addition, Halley may have been the one to coin the term "barometer" in this paper.  This issue of Philosophical Transactions also includes Cassini's discovery of two new Saturnian satellites.  While much of Aristotelian theory had been firmly discarded by the 17th century, Aristotle's idea that meteors were an atmospheric phenomenon perservered.  "The first serious challenge to Aristotle's meteor hypothesis was proposed by Edmund Halley, Astronomer Royal. Unlike Aristotle, Halley continually tried to measure quantities. The height of the Earth's atmosphere is a typical example… In [his Discourse] he calculated that the atmosphere only extended to a height of some 40 to 45 miles. So if meteors were ignited exhalations, they had to occur below this height" (Physicists Look Back: Studies in the History of Physics, ed. John Roche). IN: Philosophical Transactions of the Royal Society of London, Issue No. 181 pp. 104-116. London: Royal Society of London, 1686.  The complete issue, no. 181, pp. 77-123. Small quarto, sympathetically rebound in modern three quarter calf over marbled boards. A few spots to text, generally fine condition.

First Edition. A history of France from 418 (king Faramond) to 1589 (Henry IV). Three volumes. Quarto. Superb full page engraved portrait of Louis XIV the Great at the beginning of Vol. I, engraved portraits of each monarch at the beginning of most chapters. BINDING? CONDITION? Original calf rubbed and scratched, especially at edges of boards and along backstrips; front covers of Vols. I and II very slightly detached; lower portion of backstrip on Vol. III missing. Paris, 1678.

FIRST EDITION. "Two years have gone by since I finished writing the long story of how I, Tiberius Claudius Drusus Nero Germanicus, the cripple, the stammerer, the fool of the family, whom none of his ambitious and bloody-minded relatives considered worth the trouble of executing, poisoning, forcing to suicide, banishing to a desert island or starving to death – which was how they one by one got rid of each other – how I survived them all, even my insane nephew Gaius Caligula, and was one day unexpectedly acclaimed Emporer by the corporals and sergeants of the Palace Guard." Octavo. Original cloth, original dust jacket.

SIGNED AND INSCRIBED BY ALLEN GINSBERG, WITH SUNFLOWER DRAWING. A later printing of Ginsberg's masterpiece. "In October 1955 Ginsberg read the first part of his new poem ['Howl'] in public for the first time to tumultuous applause at the Six Gallery reading in San Francisco with the local poets Kenneth Rexroth, Gary Snyder, Michael McClure, Philip Whalen, and Philip LaMantia. Journalists were quick to herald the reading as a landmark event in American poetry, the birth of what they labeled the San Francisco Poetry Renaissance. Lawrence Ferlinghetti, who ran the City Lights Book Store and the City Lights publishing house in North Beach, sent Ginsberg a telegram echoing Ralph Waldo Emerson's response to Walt Whitman's Leaves of Grass: 'I greet you at the beginning of a great career. When do I get the manuscript?' Later Ginsberg wrote that 'in publishing 'Howl,' I was curious to leave behind after my generation an emotional time bomb that would continue exploding in U.S. consciousness in case our military-industrial-nationalist complex solidified into a repressive police bureaucracy' (Original Draft Facsimile Howl, p. xii). Very nearly fine with only the most trivial wear to extremities. 

FIRST EDITION of Graves' remarkable work of historical fiction. "In the present work, I swear by the Gods, I am my own mere secretary, and my own official annalist: I am writing with my own hand, and what favour can I hope to win from myself by flattery?" –I, ClaudiusOctavo, original cloth, original dust jacket.

FIRST EDITION. Octavo. Publisher's original cloth binding. Steel-engraved portrait frontispiece, plates and maps throughout, some of which are fold-out. A fine set.

FIRST AMERICAN TRADE EDITION. "Some Englishmen, of whom Kitchener was chief, believed that a rebellion of Arabs against Turks would enable England, while fighting Germany, simultaneously to defeat Turkey. Their knowledge of the nature and power and country of the Arabic-speaking peoples made them think that the issue of such a rebellion would be happy: and indicated its character and method. So they allowed it to begin..."— Seven Pillars of Wisdom, Introduction Octavo. Original cloth, original dust jacket. Dust jacket in first state with back blank. There was a 1926 printing of 22 copies to secure the U.S. copyright, followed by a 1935 limited edition of 750 copies, followed by this first American trade edition.

"The Design which forms the Frontispiece to this book, and which is therefore presumed to be somewhat typical of the intention of Fable, represents Man tried at the Court of the Lion for the ill-treatment of a Horse. It will be seen that Man has the worst of it..." Quarto. Hand-colored wood-engraved frontispiece, title and 22 plates by Swain after Charles Bennett. Finely bound in near-contemporary maroon calf. Light wear to spine and extremities; internally clean and nearly fine. A handsome and very appealing copy.

FIRST AMERICAN EDITION. In this work, Darwin first proposed his theory of pangenesis as the mechanism of heredity. The theory holds that body cells shed “gemmules” that collect in the reproductive organs, thus transmitting their characteristics to the next generation. Mendelʼs theory of genetics supplanted this theory in the early 1900s. Octavo, two volumes. Original green cloth. Light wear at head of both volumes; light spotting to spine of volume II. Cloth generally clean. An attractive set.

FIRST EDITION, FIRST ISSUE of one of Clarke's earliest works. A near fine copy in the original dust jacket; moderate wear at spine ends, lightly soiled, rubbed. Overall a very appealing copy. 

First edition, first state with "T.E.L." at p. 495 and "Baltic" at p. 182.  With16 photographs and illustrations including 4 maps of which two are folding. Octavo. Original fawn polished buckram in publishers original dust jacket. A fine copy.

FIRST EDITION. "Hofmeister was a man of penetrating insight. He not only observed the constant changes in size, form and complexity that attended any embryological development: he also carried out physiological experiments and he constantly inquired: Hod does the observed form come to be? Here he had in mind the need to formulate explanations or interpretations, in general terms, incorporating mathematics and the physical sciences. These studies, which disclosed a new approach to morphology, were presented in ... Allgemeine Morphologie der Gewächse" –Claude Wilson Wardlaw, Essays on Form in Plants. Octavo, quarter cloth over original wrappers mounted on boards. (Bound upside-down and backwards). Generally clean. An attractive copy in original boards., 

"What you have lost will not be returned to you; it always be lost. You’re left with only your scars to mark the void. All you can choose to do is go on, or not. But if you go on, it’s knowing you carry your scars with you."FIRST EDITION, SIGNED BY CHARLES FRAZIER. A superb copy. 

FIRST EDITION. A key work on the monetary systems of ancient Greece and Rome. "Gronovius entered the University of Leiden in 1634 and completed his academic studies at Groningen. Upon matriculation he travelled throughout Italy, France, and England. During this period, he undertook extensive manuscript research which supplied him with abundant material for later editions of the Latin classics. While at Leiden he had studied with luminaries such as Daniel Heinsius, Vossius, and Grotius. Like many of his contemporaries, Gronovius had a preference for first-century Latin prose, and his editions of Livy, both Senecas, Tacitus, and Gellius met with much acclaim" (The Berlin Collection: Being a History and Exhibition of the Books and Manuscripts Purchased in Berlin in 1891 for the University of Chicago, 1979). 12mo. Bound in contemporary full polished calf, ruled in black on boards and spine, contemporary paper spine label. Title printed in red and black, woodcut printer's device on title; the text with some passages printed in Greek letter. A clean copy with only very minor occasional spotting and a few dampstains.

"From novel and highly obscure compounds he had discovered one of the great principles of all chemistry, which came to be known as valency. Although others, particularly August Kekulé, claimed priority for this discovery, Frankland was certainly the first to articulate the concept of what he called ‘combining power’. The results he later communicated to the Royal Society, and they were read to the society's meeting on 10 May 1852. This important paper was subsequently published as ‘On a new series of organic bodies containing metal’ (PTRS, 142, 1852, 417–44)" (Oxford Dictionary of National Biography).  Frankland's research on "combining power" revolutionized modern structural chemistry and established his reputation as one of the most important theoretical chemists in the world.IN: Philosophical Transactions of the Royal Society of London 142 pp. 417-444, 1852. First edition.  Fine extract bound beautifully in aged leather and boards.

FIRST EDITION of Lawrence's account of his journey on foot through northern Syria. Illustrated with 129 photographs taken by the author.  Octavo. Original cloth, original brown paper dust jacket. First issue with page 16 mis-numbered. Fine in a superb dust jacket with only very minor occasional rubbing.

LIMITED EDITION, one of 750 copies. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Times; color: #424242; -webkit-text-stroke: #424242} span.s1 {font-kerning: none} All I can say is that most modern books weary me, but Burton never does...His writing is like talk, learned but earthy, and once he starts, he is hard to stop...That he was a humorist in our sense of the word we need no biographical facts to attest: The Anatomy of Melancholy is, by a magnificent and somehow very English irony, one of the great comic works of the world.— Anthony Burgess   Two volumes. Quarto. Original vellum-backed decorative
boards. Printed on Dutch paper. An excellent set, clean throughout. 

SECOND AMERICAN EDITION. Lyell uses the evidence of fossil remains to place the age of the human race in the context of other historical artifacts such as glaciers and extinct species of animals. This was much longer than previously supposed. Lyell also comments on the ideas of species and race, and on the evolution theories of Lamarck, Chambers, Darwin, and Wallace.“Though written by a single author, Antiquity of Man was substantively and symbolically the work of all the human antiquity investigators. It drew extensively on Prestwichʼs and Evansʼs work in the Somme Valley, Pengellyʼs excavation of Brixham Cave, Flaconerʼs investigations of caves throughout Europe, and a variety of recent archaeological stud- ies... His knowledge of post-Tertiary geology and his reputation as theorist meant that, in expressing his belief in men among the mammoths, he tacitly spoke for all the geolo-gists working on the human antiquity question.” - A. Bowdoin Van Riper, Men Among the Mammoths: Victorian Science and the Discovery of Human PrehistoryOctavo. Original pebbled cloth. An attractive copy in original cloth. Generally clean throughout; spine ends frayed with loss, corners rubbed, gilt somewhat dulled. Generally a handsome and sound volume. 

First Edition. 16mo. Original Wrappers. 40p., 6.25x9.25 inches, 30 blues songs with musical transcriptions and lyrics, 6 photos of the artists with short biographical sketches. A fine copy in original stapled pictorial wraps.

FIRST EDITION, INITIALED BY WARHOL ON HALF-TITLE. New York: Harcourt Brace Jovanovich, 1975. Octavo, original cloth, original dust jacket. A fine copy in a very good dust jacket (slight blistering to jacket). 

FIRST EDITION of Lodge's first novel. “it is a fine beginning, a serious book on serious themes, and impressive work for a writer who was only twenty-five when it was published and some years younger when he wrote it” (Merritt Moseley and Dale Salwak, David Lodge: How Far Can You Go?) Octavo, original cloth, original dust jacket. Book fine, dust jacket with fading to spine and mild soiling to rear panel.

FIRST EDITION, FIRST ISSUE. Original cloth, original dust jacket. First issue dust jacket with "1/66" code on the front flap; "Publishers of the American College Dictionary and the Modern Library" on rear flap. A superb copy. 

FIRST EDITION OF MERWIN'S SECOND BOOK. Octavo. Original cloth, original dust jacket. A fine copy.

FIRST AMERICAN TRADE EDITION. Octavo. Original pictorial cloth lettered in gilt. Introduction by Theodore Roosevelt, foreword by Gilbert H.Grosvenor. With 8 full page illustrations, 100 illustrations in black and white, and color map bound in at rear. An excellent copy.

FIRST EDITION. "It is ... arguable that [The White Goddess] marked the end of Modernism as the dominant mode in British and Irish poetry. Those stirred by its enchantments, from Hughes and Heaney to Simon Armitage, as well as those who turned away in distaste (Philip Larkin among them), have learned from Modernism but have no longer cared for its formal and emotional stringencies... The White Goddess has remained in tune with the times, reprinted time after time and quietly gathering new readers and enthusiasts iwth every generation." –Ian Firla and Grevel Lindop, Graves and the Goddess: Essays on Robert Graves's The White GoddessOctavo. Original cloth, original dust jacket.

FIRST EDITION, first printing. Octavo. Original cloth, original dust jacket.

FIRST EDITION. Text by the poet Claude Roy. Superbly illustrated with reproductions of Strand's photographs. Quarto, photo illustrated dust jacket over stiff wrappers; outer glassine dust jacket. A fine copy. 

FIRST EDITION IN ENGLISH of Weismann's Studien zur Descendez-Theorie (1875-1876).Weismann described the seasonal dimorphism of butterflies and then first proposed his theory of the mechanism of heredity. This theory is now called “blastogenesis”. This theory holds that inheritance takes place exclusively through the germ plasm and that none of the other cells of the body pass genetic information to germ cells. This means that the characteristics acquired during life are not transmitted onto the next generation. This is in direct conflict with Lamarckian evolutionary theory and Darinʼs earlier theory of “pangenesis”. Charles Darwin was very supportive of Weismannʼs work and wrote the introduction to this book.Octavo. Two volumes, early half-calf over brown boards.

"Avedon gravitates to those moments in which the oscillation between pretense and revelation is most intense. The subject of any of his photographs is likely to show in part isolation or grotesquerie, courage to the point of madness, isolation-and-defiance or sly amusement, desolation and wit, pride and sterility, pride and triumph. Victories, defeats mingle in the same moment sometimes or on adjoining pages..." –Harold Brodkey (from the Introductory Essay)FIRST EDITION. A spectacular production illustrated with Avedon's  photographs of Lauren Bacall, Joan Baez, Bridget Bardot, Audrey Hepburn, Anjelica Houston, Janis Joplin, Sophia Loren, Marilyn Monroe, Yves Saint Laurent, Elizabeth Taylor, Diana Vreeland and many more. A near fine copy with the original acetate jacket in very good condition with wear and chip at the top of the spine. An excellent copy signed and inscribed by Avedon. SOLD.

"New Edition, Rewritten and Greatly Enlarged". Two volumes. Octavo. 23 chromolithographs, folding plan of the Cemmetary in pocket of rear board, numerous wood-cuts (1 folding); Woodburytype frontispice in volume II. Includes Northcote's EPITAPHS OF THE ROMAN CATACOMBS. A superb set: cloth clean, gilt bright, occasional trivial to extremities.

First Edition. This work is based on De Rossi's celebrated Roma Sotterranea (1864-77). Octavo. Original blind stamped purple cloth with gilt decoration to front board and spine. Spine quite faded with minor wear at head and heal; Bookplate to front pastedown. Text clean and complete with folding atlas inserted in pocket at rear; 20 chromolithographs and numerous woodcut text illustrations. An attractive, solid copy.

FIRST AMERICAN EDITION.  “In paleontology, catastrophism reached an apogee in Georges Cuvierʼs... ʻEssay on the theory of the earth.” Cuvier did not present his Essay as a textbook of catastrophism, but as a statement about the roles that paleontology and geology should play in unravelling the history of the earth. Nonetheless, Cuvierʼs Essay exposes all characteristic features of catastrophism as a science, and illustrates the incompatibility of this geologi- cal approach with Darwinʼs prerequisites for natural selection as a chief agent of macro-evolutionary pattern.” - Stephen Jay Gould, The Structure of Evolutionary TheoryOctavo. Complete with half-title and 8 engraved plates. Modern 1/4 calf over early marbled boards. Scattered foxing; glean throughout. A handsome copy. 

BEAUTIFUL SIGNED LIMITED EDITION from the Arion Press. One of 300 numbered copies (out of a total edition of 326), signed by Roth. Illustrated with 48 photographs of New York City in the period of the novel. At the time it was written, "Few publishers expressed interest in Call It Sleep because its moody undertones and true-to-life depictions of social and family conflicts were thought to be unmarketable to the nation's readers, who were struggling with the depression." It took decades until a critic wrote of it favorably enough to bring it to the public's attention again, when in 1964 Irving Howe published a review on the front page of the New York Times Book Review, making it a national bestseller. "For its combination of realistic detail, psychological symbolism, and modernist techniques, [Call It Sleep] marks an important transition in Jewish-American literature from the works of early immigrant writers such as Abraham Cahan and Anzia Yezierska to later modern voices such as Saul Bellow and Philip Roth" (American National Biography). San Francisco: Arion Press, 1995. Quarto, green half morocco, original decorated cloth, original decorated slipcase. A fine copy.

FIRST EDITION (precedes the English edition of the same year). “Huxley wages his struggle [in favor of Darwinʼs theory of evolution] in the pages of his book--in its metaphors and myths, in its rhythms and repetitions, in its images and instructions. ʻThe difference between Man and Ape is less than the difference between Ape and Monkeyʼ--over and over the lesson is repeated, like on of the slogans in the Brave New World of Huxleyʼs grandson Aldous.” –Misia Landau, Narratives of Human Evolution Small 8vo. Original cloth, original spine lablel. Spine ends chipped, spine label and extremities lightly rubbed. Clean throughout. A very attractive copy. Synthesis of the anatomic and embryological evidence of human evolution. Contains a precursor to the “man evolved from apes” theory, noting the resemblance of manʼs skeleton to that of an ape. This predated Darwinʼs Descent of Man by 8 years.

FIRST EDITION. Small quarto. Original cloth, original dust jacket. A fine copy.

FIRST EDITION. Octavo, original red cloth, original dust jacket. Book fine, with light browning to pages (as usual), dust jacket with toning to spine, and rear panel with a little soiling an crease at top edge. A lovely copy.

FIRST EDITION, INSCRIBED AND SIGNED BY SHERWOOD ANDERSON. "Dear David... One incident about the writing of this book will amuse you. The murder of Jim Gibson was written at the back of a little boat-laying place in Mobile Alabama while some sailors at a nearby table discussed the divinity of Christ. Sherwood Anderson."Octavo, original blue cloth. Dust jacket lacking. Spine sunned, light wear at spine head. A handsome copy with a superb inscription. 

James Bond drank down the rest of his beer and got slowly to his feet. He walked towards Scaramanga and was about to pass him when the man reached out a languid left arm and caught him at the biceps. He held the snout of his gun to his nose, sniffing delicately. The expression in the dead brown eyes was far-away. He said, 'Mister, there's something quite extra about the smell of death. Care to try it?' He held out the glittering gun as if he was offering James Bond a rose...FIRST EDITION, second state (as usual), without the rare gilt golden gun on the front board. Octavo, original black cloth, original dust jacket. A FINE COPY.